Saturday, January 29, 2011

Reading Maisie Dobbs

I am participating in the Maisie Dobbs read-along hosted by Book Club Girl. Click on the poster below to learn more about the read-along.


Maisie Dobbs was the first novel in the series written by Jacqueline Winspear. Next was Birds of a Feather. I have finished the third novel already, somewhat ahead of the read-a-long, but I haven't written about Maisie until now. I am simply enjoying these mysteries set in London in the late 1920s and early 1930s. Also included are flashbacks to Maisie's childhood in 1913, as well as flashbacks to her time as a nurse in World War I. These "cozy" mysteries are just what I needed: another British author and another rising above the social class hero (à la Bernard Cornwell and Richard Sharpe). I decided to leave Sharpe for a while and return to him later.

Maisie Dobbs (Book 1) Birds of a Feather (Maisie Dobbs, Book 2)

Why do I like these Maisie novels? There are numerous reasons:

--I enjoy historical fiction. Maisie Dobbs is set before, during, and after World War I in Britain and France, mainly in London. This is a time period that was less familiar to me than World War II. Most of the information I know about World War I specifically is from reading Hemingway, as well as biographies and other books related to Hemingway. I enjoyed learning more about this time period. I learned more about how soldiers were treated afterwards and some of the psychological effects of war. I also have looked up more information on Passchendaele.

--I enjoy mysteries. Mystery is just one of the genres I already appreciate. Previously I didn’t know what a “cozy” mystery was, even though I have been reading them for a long time. I am not sure reading Maisie Dobbs will change my mystery reading habits in general, but I know I will read the rest of the Maisie Dobbs books in the near future. A  cozy mystery is one where the crime happens off camera and the detective is not a member of the police force and is dismissed by the authorities.

--I have enjoyed actually getting a map of London out and following Maisie’s path on some of her walkings about the town. On my one and only visit to London thus far, I am happy to know I walked on some of the same paths at different times during that short visit. I walked around Belgravia, specifically Wilton Crescent, trying to find a historic pub, so I have a sense of Ebury Place. I perused the book sale near Waterloo Bridge. Having visited the city before reading the novel added a dimension I hadn’t expected. I can’t wait to return and perhaps visit some of Maisie’s other haunts.


--I am also learning the geography of the island. Maisie often travels to Kent and to Sussex, specifically Hastings. I am familiar with Hastings from watching Foyle's War, set in World War II. Other travels by Maisie in the third novel, Pardonable Lies, have been to Paris (always a favorite), Reims (where I actually have also visited), and Biarritz. 

Pardonable Lies: A Maisie Dobbs Novel (Maisie Dobbs Mysteries)

--I have learned some more new vocabulary:
  • abbatoir n. a slaughterhouse
  • anaglypta n. a type of thick, embossed wallpaper (see more)
  • charabanc n. a large bus, typically used for sightseeing.
  • eiderdown n. the down of the eider duck, used as stuffing for quilts and pillows.
  • kepi n. a French military cap with a flat circular top and a visor.
--French kepi (from Wikipedia)
  • privet n. any of several shrubs of the genus Ligustrum, especially L. vulgare or L. ovalifolium, having opposite leaves and clusters of white flowers and widely used for hedges.
  • tisane n. an herbal infusion or similar preparation drunk as a beverage or for its mildly medicinal effect.

--I have learned about some British products both from the past and the present:

--I enjoy how Ms. Winspear infuses lessons and morality in a good way in her books. Maisie was an apprentice to a psychologist/Renaissance man. She practices meditation and yoga and, as a private detective, tries to bring emotional closure to her cases as well . . . 

So, I recommend the Maisie Dobbs mysteries.

Monday, January 17, 2011

The 1st Duke of Wellington

--Arthur Wellesley, 1st Duke of Wellington,
1823, Sir Frances Chantreymarble,
Metropolitan Museum of Art, New York

The above photo was taken by Bill, aka The Itinerant Wanderer on Flickr, who kindly let me use his picture. Below is another view from the museum's website.


Anyway, I like this particular bust of Wellington. I wish they sold a miniature in the museum store, but I don't think they do. Of course, I was reading ARCHITECT DESIGN™ and saw Stefan's bust of Napoleon, which made me want to get one of Wellington.

Friday, January 14, 2011

Orizont Literar Contemporan

I have mentioned in a few postings how I support Contemporary Literary Horizon, a magazine published in Romania with contributors from all over the world. One of these contributors is Caroline Gill from Swansea, Wales, UK. Caroline has contributed to the magazine on a regular basis and she has written an informative posting about CLH and the newly published anthology. Please click on the cover of the anthology to go to Caroline's posting and read more about this multicultural publication:

Thursday, January 13, 2011

Of Love and Evil by Anne Rice

Of Love and Evil by Anne Rice
ISBN-10: 1400043549
ISBN-13: 978-1400043545
Alfred A.Knopf
New York and Toronto
November 2010


Anne Rice's latest hero, Toby O'Dare, is on his second assignment working for the angel Malchiah, in her current Songs of the Seraphim series production, Of Love and Evil. I was excited about the continuing story of O'Dare, but after reading the book, I don't think I was completely satisfied with the finished product. I expected more depth and more emotional involvement as a reader, but the book did not engage me as I had hoped.

O'Dare travels to Rome during time of the loss of power of the Medici in Florence (Savonarola) and during Jewish persecution in Rome. He is sent to discover what is causing a dybbuk (spirit) to continue to haunt a house and a particular family. I think I am dissatisfied with this particular novel set in this particular time period because I am comparing it to the works of Sarah Dunant, especially The Birth of Venus, and there is just no comparison. Of course, Ms. Rice did research on the time period and even a particular event in Rome, but the scholarly results are just not woven as magically and as deeply as with Ms. Dunant's efforts. Not that much time seems to have passed between the first book in the angel series, Angel Time, and this one, and perhaps not enough time was given for the next deadline, but I am a little disappointed in this effort. I still have not read any of Ms. Rice's vampire books, just her angel-themed ones and her Christ-themed ones after her return to Catholicism a few years ago.


A little before Of Love and Evil was published, Ms. Rice's subsequent leaving of Christianity and organized religion was in the news. If you follow her on Facebook, you know how interactive she is with her followers and how she posts current events and asks provocative questions about a number of issues. I really enjoy the discourse she encourages. Her postings are usually either informative or controversial and I appreciate her accessibility to the "people of the page." This regular discourse and dialect might be another reason I am somewhat disappointed in Of Love and Evil. I just did not care about the characters in Rome that she introduced. The threads of this tale just were not interwoven to the extent to get me emotionally involved. I did enjoy the continued story of Toby and his personal redemption from assassin to angel assistant, but his story is only one aspect of this short novel. Ms. Rice does create another dilemma in O'Dare's continuing drama, and I will read the next one. 

I will recommend this book as a quick and easy read, but did not enjoy this effort as much as I had hoped or as much as the four previous books of Ms. Rice's that I have read.

Saturday, January 8, 2011

More of the Nasher Sculpture Center

I went to the Nasher Sculpture Center again recently on a glorious Sunday afternoon with a friend from my hometown. We actually went to the Dallas Museum of Art to see The Mourners exhibit, since it was the last day to see the alabaster statues mourning John the Fearless. The museum was crowded and I didn't really enjoy The Mourners like I thought I might. The Nasher is next door, so it was a great opportunity to enjoy the weather and Raymond Nasher's vision of how modern art should be enjoyed. My previous posts on the sculpture center and Mr. Nasher's art are Dallas Arts District and Nasher Sculpture Center and Art at NorthPark.

 --Inside of Tending (Blue) by James Turrell

 --Hopefully this can be closed during inclement weather.

 --Cloud formations from inside Tending (Blue)

 --Another of Mr. Nasher's Hammering Men (and his shadow).



 --View towards the Cathedral

 --Bronze Crowd by Polish artist Magdalena Abakanowicz

--The Nasher-it's the place to be.

Wednesday, January 5, 2011

The Smiling Angel of Reims

Even though it has been more than 15 years, I remember my visit to the cathedral at Reims (Notre-Dame de Reims) in the Champagne region of France. This was the church where numerous monarchs were crowned. The thing I remember the most is that there was a statue of a smiling angel above the entrance to the cathedral that was famous. I remember glancing at it briefly, but it was raining so I never got a picture. Recently, with the release of Anne Rice's latest angel book, Of Love and Evil, I thought about that smiling angel and did a search on the net. I was a bit confused because two different statues kept appearing on the results.

Here is the first one that appeared:
But then this one (on the left) seemed to be everywhere:

--She is missing an arm and a wing . . .

A black and white of the first one:

And a very nice one of the second:

Finally, I found this postage stamp honoring L'ange au sourire:
--So, Angel #1 must be the "real" Smiling Angel. :-)

I honestly can't remember which one I saw . . . 

Here they are along with their fellow statues:
--The famous one is on the right.

--The other one is on the left. Reims Cathedral (Our Lady of Rheims) suffered greatly during WWI and many statues were repaired. At least she does still smile . . .

And here is a poem in French from the parish website honoring the angel:

EN CONTEMPLANT L'ANGE AU SOURIRE ...
par Jean-Marie GUERLIN

publié le Vendredi 15 octobre 2010

Toi, l’ange au sourire,
le messager de Dieu,
les tailleurs de pierre ont su si bien exprimer
sur ton visage
le sourire même de Dieu,
pour dire à tous ceux qui te contemplent
combien Dieu les aime,
combien il leur est proche !
Toi, l’ange au sourire,
tu as bravé toutes les destructions
pour devenir au milieu de nous
le signe d’une espérance joyeuse et tenace :
la réconciliation entre les peuples !

Saturday, January 1, 2011

Hemingway's Paris: Our Paris?

Hemingway's Paris: Our Paris? by H.R. Stoneback
ISBN-10: 1453877762
ISBN-13: 978-1453877760
New Street Communications, LLC
Wickford, RI
October 2010

I downloaded this recently published book from New Street Communications to my Kindle yesterday and read it this morning. I did not realize it is really a very long essay (48 pages in the paperback edition), but if you are a Hemingway aficionado as I am, this essay is not to be missed. H. R. Stoneback is a renowned Hemingway scholar and former member of the Hemingway Society's Board of Directors. I knew very little about him before I downloaded and read his tribute to Hemingway and Paris. Reading this publication evoked some of the same feelings I had when I first read Hemingway's A Moveable Feast a few years ago.

Mr. Stoneback wrote this piece in one night in 1989 for a magazine article. He sent in the manuscript and told the editors they could cut the piece if they needed. They apparently cut a lot. All these years later, Mr. Stoneback has published the full version of his essay.


After the first few pages, I knew Mr. Stoneback was a true scholar and wonderful writer. As usual, I had to look up many words, not to mention references to people and places I was not familiar with, but I enjoyed the fact that most of the references to places in Paris and France were familiar. I always enjoy writer's descriptions of Hemingway's tools of understatement, allusion, and omission.

My favorite few sentences from the essay are:

Hemingway's world is a resacralized landscape and few writers have responded as deeply as he did to the deus loci, the spirit of place, residing in each place he evoked. He is one of our great poets of place, at once a very accurate and rapt cartographer and bard of the deus loci. And yet most of us, at one time or another, slumber in thralldom to the silly myth of the Lost Generation, foolish and firm in our windy asseverations that Hemingway's world is a world of drunken expatriates aimlessly drifting from Paris to Spain and back again with no point, no direction, stoically enduring the night and nada in a world where all values are lost, all gods dead. It would seem almost impossible to escape this view of Hemingway since it has been sold in our classrooms for half a century, promulgated in magazines and on television screens by almost everyone who talks about Hemingway.


--H. R. Stoneback

Another few pages I thoroughly enjoyed were Mr. Stoneback's own superb descriptions of Paris. 

Some of those scholarly words that I had to consult the dictionary to understand were:

constatation-an assumption that is basic to an argument
peregrinations-walks or travels by foot
eidolon-an unsubstantial image
numinous-appealing to the higher emotions or to the aesthetic sense; spiritual; holy
calvados-an apple brandy produced in the Calvados region of Normandy
expiation-act of making atonement
pèlerinage-French for pilgrimage
asseverations-affirmations or positive or earnest declarations
annealment-a Faulknerian neologism, from the verb anneal (to heat and then cool a substance such as steel or glass to make it less brittle)
susurrus-a whistling or rustling sound