Friday, October 29, 2010

Hooray for Horror

--Fortune Theatre, London (near Covent Garden)

I recently saw the current play at the Fortune Theatre, The Woman in Black, now starring Michael Mears and Orlando Wells. The play has been showing at the theatre since 1989. It's a ghost story and Michael Mears plays several different characters, while Orlando Wells stars as The Actor. Recommend!

Happy Halloween!

Thursday, October 21, 2010

Interview: Jason Salkey, Chosen Man Rifleman Harris from the Sharpe Series



Jason Salkey is best known for his role in the British TV series about Napoleonic War soldier Richard Sharpe as Rifleman Harris, one of Sharpe’s (played by Sean Bean) “Chosen Men”. An outstanding description of the role and a biography of Mr. Salkey can be found at The Sharpe Appreciation Society. If you have read the books that the series was based on by Bernard Cornwell and have seen all 16 episodes of the series, then you can appreciate the talent of Mr. Salkey. If you haven’t, then what are you waiting for? While filming the Sharpe series, Mr. Salkey kept his own videos and written diaries of his experiences and has created 8 video episodes of his own thus far entitled The Video Diaries of Rifleman Harris. Episodes 9 and 10 will be coming soon.

MDC: Before filming Sharpe, you had to go to "Chosen Man School." What were you taught at Chosen Man School? How was this school structured? Who taught the Chosen Men?

JS: I use the term 'school' very loosely here. The military adviser to the show (Richard Moore) trained us for two weeks, one week in the classroom learning about the Peninsular War and the greater Napoleonic wars followed by one week of learning all about being an authentic 95th rifleman. Including, getting into to full kit as quickly as possible. Loading, firing and rifle care. Our military advisor is one of the foremost re-enactors in the UK and he played Rifleman Moore in the several episodes, as well as a disgruntled French soldier who lives at Lucille’s farm in Sharpe’s Waterloo.


MDC: You met your wife Natasha while filming the first episodes of Sharpe, correct? How did you two actually get introduced? (Natasha has her own website showcasing her jewellery creations.)

JS: Natasha was a native of Yalta, Ukraine, where we filmed the first three seasons. She was an interpreter for the camera department and then the make-up department. Two departments I worked very closely with. We got together toward the end of the first series. After the second series Natasha came to London and by the third series we were on the way to starting our family.

MDC: Did you name your son Dan after Chosen Man Daniel Hagman (played by John Tams)?

JS: I let Natasha believe we named our son Daniel because there is a Russian equivalent pronounced ‘Daneel’ and when he’s hanging back in the old country his name wouldn’t stand out. I was happy with the fortunate coincidence of Daniel being Hagman’s first name.

MDC: Tell me about your Frisbee career. Did you play what we call Ultimate Frisbee (like soccer in America) where you have teams and move the disc from one end of the field to the other, or was it more like golf? Or, was it exhibition Frisbee where you did tricks and showed your skills?

JS: I was lucky enough to have lived in Amherst, Massachusetts in the mid seventies, and yes, there was a thriving ultimate scene up and down the east coast with Hampshire College being leading exponents. Hampshire also attracted a particularly high concentration of world champion freestylers. After catching the freestyle bug during my senior year in high school, I arranged to do my gym class down at Hampshire with one of the world champions (John Dwork) as part of an ‘Alternate Learning Program’. As my father was a professor at Hampshire I got to go to school there. In the summer before my freshman year of college I returned to the UK for the European Freestyle championship which I won.

MDC: Which medium is most enjoyable to you—television, film, or stage?

JS: Film because of the wide audience it can reach and the money it pays. Television is great for the immediacy of the feedback you receive from the general public and stage is great because of the buzz you get during rehearsals from creating something as an ensemble and the adrenalin rush of early nights in the run. After a while though, doing the same play night after night makes you want to take a Baker rifle and blow your own brains out. So, I guess that means I like doing film the best.

MDC: From looking at your website and CV, I note that you have worked alongside Peter O' Toole, Harvey Keitel, Roy Scheider and other names. What has been your favorite role besides Harris? Who has been your favorite actor to work with (excluding Sean Bean and the other Chosen Men)?

JS: I not sure I have a favourite actually. Keitel was very cool and we hung out a little on set. Bruce Willis was very concentrated and didn’t fancy small talk, but I respected that and thought he was great--Diana Rigg, Alan Bates, Derek Jacobi, and Peter Postlethwaite. Yes, I had worked with him five years before he pitched up as Hakeswill. And because of that I have to nominate Peter as my favourite.

--Peter Postlethwaite as Obadiah Hakeswill in the Sharpe series, from www.sharpecompendium.com

MDC: I think the first episode of Sharpe, Sharpe's Rifles, was already complete before you began the video diaries. What gave you the idea of keeping a video record of your Sharpe experiences?

JS: Yes, the first two series–Rifles thru Honour–had passed by with only a photographic journal and written diary to document everything that transpired on those two tumultuous years. On the third year I decided capturing moving pictures of us at work in a country that we knew very little about might be neat. I knew a wider audience might appreciate what I had shot, but I was really filming everything to show friends at home what a different place the ex-Soviet Union was.

But the attempt to recall my Sharpe adventures was initially inspired by the real Rifleman Harris who’s book The Recollections of Rifleman Harris was my first foray into what life was like for a 95th Rifleman.

MDC: Did you just keep a written diary of the first shows? How did the Sharpe cast and crew first react to your camera when you decided to keep a record of your experiences during the filming of the early episodes? I noticed one gentleman did not like your camera in particular (but maybe he was acting)?

JS: As mentioned previously, I did have written diaries on the first two years, though on the first year I gave up fairly quickly in to the shoot. Since I was a regular on the show I had the tacit agreement of the entire unit which anyone new to the set didn’t think to question. The chap you mention was Stephen Moore--someone I’d known since childhood (at school with his son) and he was always messing around with me pretending to object to the Harriscasm. Unless he was double bluffing and wasn’t kidding? But I haven’t received a letter from his lawyers yet!!!!

MDC: Have you done any more narration for any audio books besides The Recollections of Rifleman Harris? This book was dictated by an actual soldier from the Peninsular War named Benjamin Randell Harris and the book inspired Mr. Cornwell to create the Sharpe character. Did you enjoy making that audio book or would you rather not do many of those?

JS: I loved recording the ‘Recollections’ audio book, it was great to work so closely with the actual text that inspired my character. The producer does have other plans to record something else Sharpe connected with a proposed project with Bernard Cornwell.

MDC: You now go to many reenactor conventions in the UK and in the US. Do you participate in the actual reenactments or do you meet and greet fans and sign memorabilia only?

JS: I have a saying which I’ve concocted over the years in answer to that question when invited to join the skirmish line, or sleep out in the wet and cold to wake up to a breakfast of hard tack biscuit and brackish tea. I say “I am an actor, not a Reenactor!

MDC: How many of Mr. Cornwell's books did you read before filming Sharpe began or did you have a chance? Had you read The Recollections of Rifleman Harris before filming began?

JS: I read Rifles, Eagle, and Gold before we departed for location for the first time. I then went on top devouring the rest of the novels, finally finishing Waterloo half way through the second series. Naturally, I read the novels Bernard wrote after the series was aired: Sharpe’s Escape, Havoc, etc. And while writing the script for Harris 9 re-read Waterloo and Revenge. Which has lead to me rereading Rifles and I’ll bet I reread Eagle after that. Mr Cornwell’s Sharpe stories are truly brilliant and his other ones ain’t half bad, too. Particularly the Uhtred stories.

MDC: Have you read all of the Sharpe books by Mr. Cornwell? Have you read many of his other books or series? Besides Sharpe, which has been your favorite?

JS: See above? Yes. I read all the Sharpe books and I’ve read all of the Uhtred series.

MDC: There are two more video diary episodes in the works, encompassing the last shows through Sharpe's Waterloo. What can we expect in these maybe last two episodes?

JS: Harris 9 is so very close to the final touches on the edit and laying in the music, some stuff used before, some new stuff as well. Expect quite a lot heavy stuff revealed, loads of photos of Paul McGann as Sharpe and a small soupçon of sadness. The episode ends at the eve of Harris 'senseless demise'. And Harris 10 will start the day before our death scenes are shot, go on to the end of the shoot and continue with an attempt to tell what’s happened to my life after Sharpe.

MDC: How important have your friendships with the other Chosen Men been for you? Do you still remain in close contact with them? I hated when Rifleman Cooper disappeared, as well as when Isaiah Tongue was killed. But the death of Perkins was especially sad. It is too bad all of the Chosen Men could not have made it through the series to the end, but I guess that would have been unrealistic. Any comments?

JS: My fellow Chosen Men mean the world to me, the things we all went through has bonded us much in the same way a combat unit who’d experienced heavy fighting. I speak with Daragh (Harper) and Lyndon (Perkins) the most, then Mike (Cooper) and Paul (Tongue). And hardest of all to get a hold of are Sean and John Tams so I speak to them the least.

MDC: Jason, thank you so much for being so accessible to your followers and for the interview and your time in answering all of these questions. Also, thanks to your friend and collaborator, Drew Sutton, for helping to create the diaries. I cannot wait to see Episodes 9 and 10 of the Video Diaries!


Wednesday, October 20, 2010

Trafalgar Day

October 21st is Trafalgar Day . . . 


Click HERE for more on Trafalgar Day and Admiral Lord Nelson.

Here is an aerial view of Trafalgar Square:


Monday, October 18, 2010

Thursday, October 14, 2010

Night Baseball

--Night Baseball, Marjorie Phillips, 1951 or 1952, oil on canvas, 24 1/4 x 36 in., The Phillips Collection, Washington, D.C.

This painting is another one of my favorites. Marjorie Acker Phillips, wife of Duncan Phillips, founder of the The Phillips Collection in Washington, D. C., painted this picture of Joe DiMaggio at bat during a Washington Senators night game versus the New York Yankees. Lights at the ballpark and night games were a new thing then. I am posting this in honor of the first game of the 2010 American League Championship Series between the Texas Rangers and the Yankees. The Senators moved from Washington to Minnesota, and then another franchised incarnation became the Senators. The second Senators franchise moved to Texas in 1972 and became the Rangers.

Wednesday, October 13, 2010

Late Wordless Wednesday: One of My Favorite Paintings


--The Olive Orchard, Vincent van Gogh, 1889, 73 x 92.1 cm (28 3/4 x 36 1/4 in.), National Gallery of Art, Washington, D.C.

Saturday, October 9, 2010

Essex Boys and Ca$h


These two movies I recently watched via Netflix have a few things in common: Sean Bean, Sean Bean mean, and Sean Bean bloody. So, if you want to watch a feel good movie that happens to star Sean Bean, don't choose one of these. 


Essex Boys, released in 2000, shows Sean Bean when he is still in his prime. He plays Jason Locke, just released from prison and intent on vengeance. His driver picks him up on release and the killing starts. Some great costars such as Tom Wilkinson, Alex Kingston, and the real star of the movie, Charlie Creed-Miles, make this movie one of my favorites this year. There's a lot of double-crossing, walking-a-fine-line, barely-escaping scenes that keep viewers very unsettled. This screenplay was loosely based on a real triple killing in 1995 in the UK. 

--Alex Kingston and Sean Bean from Essex Boys

Ca$h, released in 2010, shows an aging Sean Bean, but still with that horrible meaness he can play so well. Just those nasty looks he can give make me gulp and go watch a Sharpe short on YouTube, just to remind me he can play a good guy very well, too. This movie is also about vengeance, as Sean Bean's character, Pyke Kubic (bizarre name) helps his imprisoned twin brother, Reese, recover the money Reese stole and then lost after a robbery. Yes, Sean Bean plays two characters. The imprisoned one is quite different looking than the dapper-except-for-the-straggledy-hair Pyke. This Pkye character quickly tracks down the couple that "found" the money and are very well played by Chris Hemsworth and Victoria Profeta. The young couple spent a lot of the money paying off their house, redecorating, and buying expensive furnishings and an expensive SUV with the money they so innocently "found" and did not turn in. When Pyke appears in their lives, he demands repayment for every dime spent. They repay as much as they can and then Pyke forces them to rob banks and stores to make up the difference. He is quite the stickler.


Ca$h is an interesting character study on how this couple copes with committing these crimes and what changes in their personalities occur as they are forced to commit felony after felony. The crimes and the lack of discovery by the Chicago police made the movie somewhat unbelievable for me, but the psychological aspect is the interesting element in this movie. Parts of Ca$h were frightening, funny, and sad, and the movie as a whole was very thought-provoking. I was not sorry to see what happened to the Pyke character, even if he was the most awesome Sean Bean.

On an unrelated note about one of the actors: 

You probably know just what an amazing actor Tom Wilkinson is (In The Bedroom, Michael Clayton) but if you have not seen The Night of the White Pants, an indie filmed in Dallas and directed by Dallas native Amy Talkington, I highly recommend that one. Just a plug for the home team.

For one of the best reviews I have seen about Ca$h, click HERE

Tuesday, October 5, 2010

October Eclecticity

I have not been blogging lately because I have a new obsession: the British TV series Wire in the Blood. Why can’t I just watch some episodes here and there at my leisure? No, I have to watch them all whenever I have a free moment. Compulsions! There were six seasons and I am on the fourth. Each season has had four shows of great TV viewing. Robson Green, Hermione Norris, and Simone Lahbib are the stars. Also, I love it when I am watching a series and some of the guest stars pop up that I really enjoy—like some of the Sharpe series actors (wouldn’t you know?). The first couple of Wire in the Blood episode featured Philip Whitchurch (Captain William Frederickson) from the 1994, 1996, and 1997 Sharpe seasons in a supporting role and then later Daragh O’Malley was the lead (and very creepy) guest star--nary of trace of Patrick Harper. Who knows who will show up next?

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I am still reading the Sharpe books chronologically, but have taken a short break. I’m on Sharpe’s Company (where Sharpe and Teresa Moreno are at Badajoz).



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The Dallas Museum of Art has a new sculpture exhibit that I cannot wait to see. This show is entitled The Mourners: Medieval Tomb Sculptures from the Court of Burgundy. This exhibition was at the Metropolitan Museum of Art in NYC before Dallas and The Wall Street Journal has a link to a slideshow to pique your interest.



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Speaking of the DMA, I am just a little excited to hear Pat Conroy speak in November about his new book being released in early November entitled My Reading Life.